Friday, August 24, 2012

Another Reason to Go Digital: More on the Move

You may have read KC's post about the struggles of moving a large comic collection. He estimated 400 boxes of comics. Turned out, once we got a final count, that there were 480 comic short boxes on the truck. (Oh, and they didn't end up reboxing them, thankfully.) Now, a few of them contain stacks of Archive volumes or similar, but that's still an awful lot of periodicals.

With a new home comes a new home insurance policy, and I noticed they had an interesting clause about Memorabilia, which includes 'souvenirs and collector's items such as trading cards, comic books' and similar articles for which the age, history, scarcity, and condition contribute substantially to their value.' We don't have many particularly rare or valuable single issues; it's just that when you count them all up, there are a lot of them. It's the sheer quantity.

But that clause means, to get the comics insured, I need a rider that spells out what's being covered. Which means I need an inventory and an appraisal. Neither of those are a problem ' the former just takes time, and we know people locally in the industry who would be recognized as experts in the field for the latter. The problem is the quote I got. For $300,000 worth of coverage, it's $4800 a year extra.

(And $300,000 isn't enough. Figure 200 comics a box x 450 boxes (rounding down from the count) = 90,000 comics x average $4 replacement cost = $360,000.)

That's a lot of money that doesn't apply if the comics are in book form (so collections are cheaper to keep than issues) or digital (where replacement is a heck of a lot easier). So yet another reason to move to more preferable formats.



Thursday, August 23, 2012

Bluewater Gives Up on Comic Market Distributor

The story's at Robot 6: Comic publisher Bluewater ' known for ripping off artists while chasing trends with incompetent and poor quality biographical comics ' is taking its ball and going home. Since not many people are interested in buying their works, Diamond has been canceling Bluewater orders for not making the minimums necessary for Diamond to distribute them. So Bluewater is quitting Diamond, the only significant avenue into the comic shop direct market.

They're now going to be distributed ' and printed ' by something called Comic Flea Market, which, when you have a reputation for putting out badly done comics, may not be the best choice for a name. Company President Darren G. Davis says in regard to choosing to end their relationship with Diamond, 'if we have a book that only sold 500 copies, there's no reason why they should distribute it. But it just doesn't help me as a publisher.'

Well, no, and I would wonder why a publisher would bother putting out a comic that only sold 500 copies. The motivations are different for a self-publisher, of course, and Bluewater may have other sales channels that make up for the low comic market numbers ' but I haven't seen any evidence of such things and don't know what they might be.

Bluewater comics will still be available to retailers at similar discounts as they were getting from Diamond ' if they have any interest and are willing to do the extra work of going direct. I suspect most won't bother. Betting opens now on how long the publisher lasts after cutting themselves off from the most important outlet for periodical comics.

Similar Posts: Marvel Chooses New Distributor for Bookstore Market, Dumps Diamond Books § Diamond Gem Awards Show Comic Market View of Manga § Who Buys Minx? § Transfuzion Avoids the Direct Market § Is the Last Independent Comic Distributor Calling It Quits? Haven Shutting Down

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Viz Digital Goes to Same-Day Releases

Viz has announced that, for those titles that are released digitally, they will come out on the same day as the print editions. From the press release:

Beginning today [August 7], all VIZ Manga releases will debut on Tuesdays. In addition, digital volumes of current releases will debut on the same day as its print debut.

Viz has the most comprehensive digital strategy of any manga publisher ' and one that compares favorably to all comic digital releases. They put out a lot of material, make it easy to find on a variety of platforms (Android, iOS, and web), and price sensibly. Where print books start at $9.99, most of their digital releases are only $4.99, and they run frequent sales.

Note that while they're promising that the digital releases won't lag behind the print versions, some titles come to digital early. Blue Exorcist Volume 8, for example, is coming out online three months before its scheduled print release on November 6. Psyren Volume 6 is out now digitally, while the print version ships September 4.

John Jakala has more analysis of what this decision means, including how

It signals Viz's commitment to digital. To be honest, at times I questioned Viz's will and/or ability to stick with digital, but this reassures me.

It makes Viz perhaps the only publisher to charge less than print for digital day-and-date.

That last one is probably the most significant and the place where Viz is the most forward-looking online publisher.

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More Neon Alley Information; Channel Exclusive to Playstation Network

Viz has announced that their new anime channel Neon Alley will be launching exclusively on the Playstation Network and the PS3 game console this Fall.

One Piece logo

They've also snagged the famous pirate series One Piece for the channel. Episodes will air uncut with English dubs. Other new content announcements include Blue Exorcist, Nura: Rise of the Yokai Clan, and Nana.

I'm sorry to hear that they're debuting via an avenue I can't access, but I know that's a wide-ranging established venue for this kind of entertainment.

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Wednesday, August 22, 2012

Born to Be Bad Comes to DVD With Alternate Ending

The Warner Archive continues its impressive release schedule by releasing Born to Be Bad, a 1950 Nicholas Ray film about a naughty girl wrecking homes and destroying lives. As the site describes it,

Born to Be Bad from Warner Archive

Joan Fontaine plays Christabel Caine, the anti-heroine who has the face of an angel and the heart of a savage. King of Noir Robert Ryan plays the rough-hewn writer who is good enough to share her bed, but not her hand, while Zachary Scott plays the aviator millionaire too much the naïf to escape his fate. Joan Leslie and Mel Ferrer deliver standout performances as the bystanders, one victim, one ambivalent witness, to the wreckage Christabel leaves behind.

Christabel steals the millionaire from her cousin while loving and sleeping with Ryan's character ' who knows how truly horrible she is. He's a writer, though, and not rich enough for her. Although black and white, the sets and costumes make for impressive visuals.

The film has been remastered for this release, plus it's got a stunning bonus ' a never-before-seen alternate ending. There were apparently debates between the director and the studio, then run by Howard Hughes, and the director's original choice was only recently discovered. I've seen the movie a few times, and it's always enjoyable melodrama. I can't wait to see the new conclusion! Learn more about this release on the Warner Archie podcast.

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Latest DC Announcement Teams Superman and Wonder Woman

Entertainment Weekly has the scoop:

Justice League #12 cover

In Justice League #12, out August 29, Geoff Johns is pairing up Wonder Woman and Superman as a couple. ''This is the new status quo,' says Johns, adding that the relationship will have a seismic impact on all the heroes and villains in the DC universe.' The cover shown here is by Jim Lee, who 'took inspiration from Gustav Klimt's The Kiss and Alfred Eisenstaedt's V-J Day in Times Square photograph.' With added bondage elements. I wish they looked a little more romantic or passionate, instead of like posed plastic action figures.

Also, I think I liked this idea better when it happened in Action Comics #600, back in 1988, but that's probably because I like George Pérez's art more than Lee's.

From Action Comics #600

I also dislike the growing trend of removing all the humans from the superhero comics, such that we're only left with stories about 'demigods' pounding on each other. Superman and Lois Lane belong together ' and while I'm sure DC will eventually bring that relationship back as well, since their modis operandi is rewriting older stories and reintroducing pre-existing characters, I'm not that interested in how they get there.

Especially since this seems to be another stunt done to raise controversy and thus sales. As the article says, 'Johns and Lee expect some outcry and certainly some debate. Actually, they're counting on it.' Of course they are. It's easier to sell superheroes these days based on fan emotion instead of good stories.

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Monday, August 20, 2012

The Husbands ' Tania del Rio Connection

I just discovered the cute web video series Husbands through the Jane Espenson (she co-writes) / Nathan Fillion connection. He guest-stars on episode three, shown here:

The show is about a flamboyant actor and well-known baseball player who wind up wed by accident ' they were celebrating equal marriage rights legalization in Vegas and overdid it ' and then decide to stay together to avoid giving the press a story about gays not being able to handle marriage. The first season is 11 episodes, but they're each under three minutes.

The credits don't roll until the last episode, and look what I noticed!

Credits from Husbands

I bet that's the Tania del Rio whose work I enjoyed on the manga Sabrina and other stories for Archie Comics. What a neat little surprise connection!

If you're interested in the series, season 2 has just started, and there's a lengthy (nine minutes) behind-the-scenes with the actors and creators. And if you're a Whedon fan, you may want to check out the cameos in that first episode!

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